Order total after the gift card is applied must total to at least $0.01 or more to complete an online order. Gift card will be received after product has delivered, approximately within 10-12 business days. All product names and trademarks are the property of their respective owners. We reserve the right to modify or discontinue this offer at any time without notice. ![]() The value of the gift card will not be refunded on returns or exchanges. You will receive the price paid (after discount) on all returns or exchanges. Altered, duplicated, or reproduced gift cards will not be accepted. Cannot be combined, copied, transferred, or sold. Not valid on clearance, doorbuster, Treasure Box. Dollar-off discounts applied prior to percent-off total purchase discounts. Online codes are not valid on international orders. Enter promo code SPRING at checkout online at,. We love the convenience of this and absolutely recommend!Įarn one $10 gift card from March 29th, 2023, through April 5th, 2023, when you spend $50+ on spring new arrivals online. This has been such a practical option for myself and my husband. Once it is completely folded, it snaps together keeping it all secure. It all folds together nicely and the bottom half (changing mat) velcros to the top portion when folding, keeping it in place. The front compartment is also zippered and has just enough room for a cream, an extra set of clothes (size depending), your keys or any other small personal items of your choice. For diapers (mesh) and wipes (zippered, and includes a sturdy plastic container). ![]() It's easy to separate the changing mat from the storage compartment area. It's design is definitely well thought out. Because of it's size, it's perfect for a quick trip to store, a few errands or just a walk around the neighborhood. Super convenient! The Envi Luxe Pronto signature changing station is an all around great design! First let me start by saying that I love love love that this is eco-friendly! The fact that the outer exterior is made from recycled bottles is pretty awesome! It is easy to clean, soft-but durable, and it's stylish.
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When the quality of an image becomes a priority in professional industries, converting JPEG files into a more versatile and integral format is mandatory. JPEGs also don't produce transparency within images very well as the lossy compression will eliminate those extra pixels needed for the subtle "fading out" effect. ![]() Neither is it good for repeatedly edited images. JPEGs are generally not good for small images or images with textual data. However, when in the PDF format, you can print up exactly what you see.Īs well, while JPEG is ideal for image formatting purposes, there are limitations. Thus, when it comes to the printing factor, what you get on screen isn't necessarily what you'll get on paper. The Pixel dimension for screen and print resolution are two different things. When printing up JPEG images, the print quality of an image depends upon the Pixel dimension. Some printers (most of the commercial ones) use CYMK colour profiling, and if you have your files in RGB, colours would look different when printed. Just make sure you save the PDF with the correct colour profile, as this is a very important point to remember when printing something. However, I'm not sure if PDF would be of any use for your purpose. I've done it before quite a few times, and it works. I've heard that if you save your design as PDF, you will create a vector. Open the "File" menu, locate its "Export" submenu and choose "Paths to Illustrator." The resulting file contains paths with no strokes or fills. Name your path (if not, the next action you take that creates a path will replace the vector drawing on your existing Work Path with new vector output).Ĭlick on the “File” menu, then click on “Export” and choose the “Paths” option when it pops upĬlick “Save." The file will save as an Adobe Illustrator (.ai) vector file. Set a tolerance value to govern how tightly your path follows your original selection's boundaries.ĭouble-click on the Work Path that appears in the Paths panel when you first draw with the Pen tool or convert a selection to a path. Open the flyout menu at the top right corner of the Paths panel and choose "Make Work Path". Make a selection using the Magic Wand or other selection tools. ![]() In the Options bar, choose the standard version of the Pen tool to draw Bezier curves and precise straight lines. Open the "Window" menu and choose "Paths" to reveal the Paths panel. But instead of using the 300dpi value for the color mode, use 600dpi. If save your logo in PDF and the file is very heavy, you can check this link here to learn how to optimize it. If you print in black, you might want to use the black only (Cyan 0%, Magenta 0%, Yellow 0%, Black 100%). Make sure your logo is at very high resolution (preferably 300 to 600dpi, or more) and that the color mode is in CMYK if printed in full colors, or grayscale if printed in one color.Īlso make sure your text in vector is the right color. If your logo contains special effects as the ones I mentioned, you should import it in Illustrator and match it with your text file that is in vector now. If the logo is a simple shape, you could redraw it in Illustrator. For example: drop shadows, embossed, glow, etc. If your logo also contains a graphic done in Photoshop, sometimes it's not always possible to create a vector with it if there's some special effects on it. THEN you can save your file and send it to your printer! To do this, select your text, go on the menu "type" and select "create outline". pdf.īefore you do this though, you should "vectorize" your text to make sure the fonts won't be needed by your printer. Then you can simply save that new Adobe Illustrator vector file to an. You will be asked to convert the layers to objects or to flatten the layers. To do this, you simply need to save your Photoshop file with the layers, and open it in Illustrator. ![]() But you need your text layer files for this. If only the text is part of your logo you can export it to vector in Illustrator. ![]() I let it dry overnight, am in the process of a hard reset, and will be plugging it in again and inserting the cartridges during that process. From underneath the print head, that nozzle seems to still have some dried ink there. I cleaned so much ink from the print heat and it seems that the colors side it pretty much clean. I also had to carefully clean it from the white rollers. Even with the print head out, I had to continue to move the carriage and clean "leaked" drops of mainly black ink from the path on the metal part. There was a WHOLE LOT OF INK (mainly black) in several places inside the printer that I did not like. I took the cartridges out last night and also the print head as described. I am trying to get the printer to not give me problems due to the chips being read by the system and knowing that they are previously used. I am using refilled cartridges for the Photo-smart 6520 all in one wireless (mainly). WARNING: IF YOU TAKE AN INTEGRATED HEAD PRINTER APART, YOU MUST KNOW HOW TO GO INTO THE SERVICE MODE AND BYPASS THE SETUP INK REQUIREMENT (trade ink disable) OR BE PREPARED TO THROW IT OUT! NOT ALL UNITS HAVE THIS!.If I have not tested your printer, I cannot guarantee the calibration preservation procedure will work.These may not survive a lost calibration if SETUP cartridges are required. Non-removable printhead models (Ex: Photosmart 6520) require special attention to preserve the calibration.This guide is primarily made for the HP Photosmart Plus B210a and other REMOVABLE PRINTHEAD "564" printers.If you keep having problems the printhead is likely bad. WARNING: THIS PROCEDURE MAY DAMAGE PRINTHEADS WITH EXISTING DEFECTS! Use caution if you suspect an HW issue that could be made worse and finish off the machine, or write it off before trying! I am noticing more and more attempts fail so it is likely many of these are now having a hardware issue with the printhead. ![]() We used the printer's cleaning cartridge function to let the ink flow into the printhead. That's okay because the steamer puts a lot of water into the printhead. Make sure the electronic ribbon is dried completely. It is incredibly effective against stubborn cloggings. You can find them on Amazon for under $30. Because of timing constraint, we moved on to the next method. We could repeat this procedure, giving more time for the cleaning solution to penetrate the clog. Some clogs were softened by the cleaning solution and sucked out by the house vacuum. We used a house vacuum to suck from the bottom. Then, we wrapped around the printhead with a wet paper towel. Pros + Good connectivity + Simple touchscreen menus + Dual input trays + High resolutions + Good build and style Cons - Lacking options in menus - Photo colour could be better - No CD/DVD. We soaked the printhead in the cleaning solution. You can see the dry ink on the photo black nozzles. The printhead is still heavily clogged, but you can see a slight progress. We filled a blank cartridge with cleaning solutions then use a syringe to push the cleaning solution down to the printhead. All other colors were printing fine except the photo black, which prints stripes.įirst, we tried to make a cleaning cartridge. ![]() The printer is an HP PhotoSmart Premium C309g, uses 564 XL cartridges. ![]() In this blog, we will share the experience of cleaning a PhotoSmart printhead with you. ![]() That was one, and the Lantern oath was another one.Īfter putting the final touches on their script, Ernie Altbacker and John Semper’s work on Green Lantern: Beware My Power was put into the hands of director Jeff Wamester, who previously helmed Justice Society: World War II. That line is, for me, again, that’s one of those milestone lines that… sometimes as writers you fall in love with lines and you fall in love with moments. The original line is, ‘I’ve been up against a color barrier my whole life and I haven’t let it stop me.’ And they changed it just a tiny bit to, ‘I’ve been up against that kind of barrier.’ And that’s ok because it’s the same meaning. One of my favorite lines that I wrote is when they explain to him that the color yellow can be used against him, or he’s powerless against the color yellow. John Semper also highlighted a line he came up with that John Stewart says after he learns that a Green Lantern’s power is weak against the color yellow. Don’t even touch it, don’t think about changing it.’ So I love that bit, both when he first says it and then the last time he says it, I just love that that’s there. Whenever anybody in our various conferences would say, ‘Well do we really need to do this?’ ‘Yes, we really need to do this because it’s an important thing. I was just telling a previous interviewer that the Green Lantern oath, to me, was really important, and his use of it at the very end was something I made sure went through exactly the way it ended up on screen. I thought the animation was really solid, I thought the art direction was really solid. I like the opening, I thought the opening was powerful. ![]() Speaking of which, while John is unquestionably the star of Green Lantern: Beware My Power, he’s backed up by heroes like Jimmi Simpson’s Green Arrow, with the two of them sharing a similar kind of dynamic that Hal Jordan and Oliver Queen had during the “Hard-Traveling Heroes” arc in the comics. Sure a Green Lantern can fly quite far on their own, but when you’re accompanied by allies who can’t channel that emerald energy, a spaceship like that comes in handy. Without going into deep spoilers, John Stewart’s inheritance of the Green Lantern ring also leads to him ending up aboard a spaceship piloted by the last Guardian of the Universe. And all those scenes, they were really good. Ollie dislikes and is suspicious of him, being a burgeoning friendship. But then there’s a bunch of great quiet moments too, like the John Stewart and Green Arrow relationship from start to finish. The poor animators who had to do that one really have something to be proud of, because there was a lot going on in those frames. There was just so much going on in that frame. I couldn’t believe how complex that scene was. And I was like, ‘Oh boy, that’s really pretty the way they animated it.’ And then from that view screen where you see that huge battle in front of the Green Lanterns, which is kind of like the bridge scene in Apocalypse Now, where it’s like, ‘Who’s in charge?’ ‘I thought you were!’ I just loved the way those were animated. It’s just a short scene: the Guardian’s spaceship when it’s on fire, and it’s got those gizmos working and you hear the sound design. Starting off, Altbacker, who has prior experience with this DC lore from Green Lantern: The Animated Series, had this to say about Beware My Power: Ernie Altbacker and John Semper wrote the movie together years back, and I was curious if there were any moments, performances or overall elements they were particularly proud of after seeing the completed product. ![]() Set in the same continuity as Superman: Man of Tomorrow, Justice Society: World War II and Batman: The Long Halloween, Green Lantern: Beware My Power stars Black Adam’s Aldis Hodge as John Stewart, a recently discharged Marine sniper who inherits a green power ring capable of letting him fly, channeling his willpower into physical constructs and more. Well, this dry spell is finally coming to an end, as Green Lantern: Beware My Power is finally here to spotlight John Stewart, and writers Ernie Altbacker and John Semper shared with CinemaBlend some of the moments their most proud of in the new DC movie. Sure, various versions of the Emerald Knight have popped up here and there in supporting roles, but it’s been a far cry from 2011, which brought both the Ryan Reynolds-led live-action Green Lantern movie and the animated movie Green Lantern: Emerald Knights. It’s been a while since the Green Lantern corner of the DC Universe has been able to take center stage outside of the comics. |